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Traffic Strings - Tango Finesse


Tracklist


1Oblivion
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
4:41
2Lo Que Vendra
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
4:54
3Tango Suite: Tango No. 3
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
6:44
4Oda Para Un Hippie
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
5:51
5Tango Suite: Tango No. 1
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
6:31
6Escolaso
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
(5:33)
7Calambre - Franacapa
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
5:53
8Tango Choc - Plus Ultra
Arranged By – Lucian MoraruComposed By – (Astor Piazzolla
5:01
9Buenos Aires Hora Cero
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
5:34
10Michelangelo 70
Arranged By – Lucian MoraruComposed By – Astor Piazzolla
3:27
11Jalousie (Jealousy)
Arranged By – Lucian MoraruComposed By – Jakob Gade
3:38

Notes


This project was born from a challenging experience to address South American repertoire, more precisely the Argentine tango, in a different sound manner. So, for Tango Finesse we wanted a premiere adaptation in which we used a combination of less frequently used instruments to interpret this kind of music. This expressive distinctiveness is shown in this project by the mixture of tones from string instruments which are specific to classical music, such as the violin with its bright and sometimes brisk tone, the dark and voluptuous timbre of the viola, the warmth of the cello and the rhythmic grotesque of the contrabass contrasting with the wailing and piercing tone of the pan-pipe, a wind instrument which is unusual for this kind of music. Everything is organically completed by the melancholy of the accordion and veiled by the massive sonority rigor of the piano. This “timbral mix” gives the project an exotic air which is totally distinct from the sound universe we got used to when listening to Argentine tangos. Moreover, I also sprinkled some more special sounds in these musical arrangements, as means of expression which come in addition to this new timbral combination, bringing to the forefront rhythms that give the feeling of a sonority created by percussion instruments. These are sounds that can be technically achieved in practice with the abilities of the instruments used in this impression.

Ce projet est né de l’expérience provocatrice d’aborder le répertoire sud-américain, plus exactement le tango argentin, d’une manière sonore différente. On a donc désiré pour Tango Finesse une adaptation en première où on a employé un mélange moins frequent d’instruments pour interpréter ce genre de musique. Cette particularité expressive est rendue dans ce projet par le mélange de la sonorité des instruments à cordes, spécifique à la musique classique, comme le violon à son ton brillant et parfois vivant, le timbre obscure et voluptueux de la viole, la chaleur du violoncelle et le grotesque rythmique du contrebas, en contraste avec le ton plaintif et pénétrant de la flûte de Pan, instrument à souffler inhabituel pour ce genre de musique. Tout est organiquement complété par la mélancolie de l’accordéon et enveloppé par la rigueur de la sonorité massive du piano. Ce „mélange du timbre” donne au projet un air exotique tout à fait différent par rapport à l’univers sonore auquel nous sommes habitués quand il s’agit d’écouter des tangos argentins. En outre, dans ces arrangements musicaux, comme moyens d’expression supplémentaires à cette combinaison des timbres, on a aussi parsemé des sons plus spéciaux mettant en premier plan les rythmes qui donnent la sensation de la sonorité des instruments de percussion.
Des sons qui, pratiquement, peuvent être realizes par les possibilités des instruments employés dans cette impression.

Questo progetto è nato da un’esperienza stimolante per trattare il repertorio sudamericano, precisamente il tango argentino in un modo suonoro diverso. Così per Tango Finesse abbiamo voluto un’adattamento in cui abbiamo usato una combinazione di strumenti meno frequentemente utilizzati per l’interpretazione di questo tipo di musica. Questa particolarità espressiva è mostrata in questo progetto dalla mistura della sonorità di strumenti a corda specifiche di musica classicacome il violino con il suo tono brillante e, a volte vivace, il timbro scuro e voluttuoso della viola, la calore del violoncello ed il grottesco ritmico del contrabbasso in contrasto con il tono lamentato e penetrante del zufollo, strumento a fiato insolito per questo tipo di musica. Tutto è completato organicamente della malinconia della fisarmonica ed avvolta dalla rigorosità della massiccia sonorità del pianoforte. Questa “mistura timbrica” conferisce al progetto un’aria esotica special nei confronti del universo suonoro con cui siamo abituati quando si tratta di ascoltare tango argentino. Inoltre, questi accordi musicali come mezzo di espressione, oltre a questa nuova combinazione di timbri, ho spruzzato anche suoni speciali che ci portano nel primo piano ritmi che danno la sensazione di sonorità degli strumenti a percussione. Suoni che possono essere raggiunti tecnicamente con le possibilità degli strumenti usati in questa stampatura.

Este proyecto nació de una experiencia incitante de enfocar el repertorio sudamericano, más precisamente el tango argentino de una manera sonora distinta. Así pues para Tango Finesse nos propusimos una adaptación de estreno donde utilizamos una combinación menos usada de instrumentos para la interpretación de este género de música. Esta particularidad expresiva se debe en este proyecto a la mezcla de la sonoridad de los instrumentos de cuerdas específica a la música clásica, como el violín con su tono brillante y por allá juguetón, el timbre oscuro y voluptuoso de la viola, el calor del violoncelo y el grotesco rítmico del contrabajo en contraste con el tono plañidero y penetrante del flauta de pan, un instrumento de soplar insólito para este genero de música. Todo está orgánicamente completado por la melancolía del acordeón y envuelto por la rigurosidad de la sonoridad masiva del piano. Esta “mezcla de timbres” da al proyecto un aire exótico totalmente distinto frente al universo sonoro con el cual estamos acostumbrados cuando se trata de escuchar tangos argentinos. Además, dentro de estos arreglos musicales, como medios de expresión, fuera de esta nueva combinación de timbres, esparcimos también sonidos más particulares que ponen en primer plano ritmos que dan la sensación de la sonoridad de unos instrumentos de percusión. Sonidos que prácticamente se pueden realizar técnicamente con las posibilidades utilizadas en esta impresión.

这一项目诞生于以探讨拉丁美洲曲目的挑战性经验中,尤其是 利用不同的声音公式探讨阿根廷探戈。为Finesse探戈我们首 次利用一些很少演奏这种音乐的乐器混合。这一表现特征在这 一项目中是由古典音乐的具体弦乐器的响度完成的,如:具有 闪亮声音的小提琴、中提琴的愁绪、大提琴的热情以及低音提 琴的奇怪声音同为这类音乐异常的管乐器的特别音色:排箫 混合起来。全部的音色被手风琴的愁绪以及钢琴的巨大响度弥 补。这一“音色组合”向这一项目予以了异国情调的气氛,和我 们一般收听阿根廷探戈而习惯的音色环境完全不同。加之,在 作为新音色混合的表达方式的这些编曲中,也撒上了一些特殊 声音,将脱颖而出打击乐器的色调感。从技术角度讲,这些声 音可以从这一录制中利用的乐器而造成的。 卢吉安•莫拉鲁

Dieses Projekt ist aus einem herausfordernden Versuch, das südamerikanische Repertoire, und zwar den argentinischen Tango, auf eine unterschiedliche Klangweise anzugehen, entstanden. Somit umfasst das Album Tango Finesse erfinderische Arrangements aufgrund einer für die Wiedergabe dieses Musikgenres weniger üblichen Kombination von Musikinstrumenten. Diese Ausdrucksbesonderheit ist in diesem Projekt durch die Mischung des Klangs der Saiteninstrumente, – die Violine mit ihrem hellen und manchmal spielerischen Klang, die Viola mit ihrem dunklen und wollüstigen Klang, die Wärme des Cellos und das rhythmische Groteske des Kontrabasses – die für die klassische Musik spezifisch sind, mit dem trübseligen und durchdringenden Klang der Panflöte, die für dieses Musikgenre unüblich ist, wiedergegeben. Dies alles wird auf organische Weise durch die Melancholie des Akkordeons ergänzt und durch die Rigorosität des massiven Klangs des Klaviers umhüllt. Diese Klangmischung sorgt für eine exotische Note des Projektes, die im Vergleich zu dem gewöhnlichen Klanguniversum des argentinischen Tangos sehr unterschiedlich ist. Neben dieser neuen Klangkombination haben wir in diesen Arrangements auch andere besondere Klänge als Ausdrucksmittel eingeführt; diese bringen in den Vordergrund Rhythmen, die das Gefühl des Klangs von Schlaginstrumenten geben. Diese Klänge können praktisch aufgrund der technischen Möglichkeiten der in dieser Wiedergabe verwendeten Instrumente erzielt werden.

Acest proiect s-a născut dintr-o experiență provocatoare de a aborda repertoriul sud-american, mai precis tangoul argentinian intr-o maniera sonora diferita. Asadar pentru Tango Finesse am dorit o adaptare in premiera in care am folosit o combinatie de instrumente mai putin uzitata pentru interpretarea acestui gen de muzica . Acesta particularitate expresiva este redata in acest proiect de amestecul sonoritatii instrumentelor de coarde specifice muzicii clasice, precum vioara cu tonul ei stralucitor si pe alocuri sprintar , timbrul intunecat si voluptos al violei , caldura violoncelului si grotescul ritmic al contrabasului in contrast cu tonul tanguitor si patrunzator al nai-ului, instrument de suflat neobisnuit pentru genul acesta de muzica . Totul este organic completat de melancholia acordeonului si invaluit de rigurozitatea sonoritatii masive a pianului . Acest „mix timbral” da proiectului un aer exotic total aparte fata de universul sonor cu care suntem obisnuiti cand e vorba sa ascultam tangouri argentiniene. In plus, in aceaste aranjamente muzicale , ca mijloace de expresie pe langa aceasta noua combinaţie timbrala, am presarat si sunete mai special care aduc in prim plan ritmuri care dau senzatia sonoritatii unor instrumente de percutie. Sunete care practic se pot realiza tehnic cu posibilităţile instrumentelor folosite in aceasta imprimare.

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Listen free to TRAFFIC STRINGS Tango Finesse Escolasu arr. Moraru, Calambre - Franacapa arr. Moraru and more. 11 tracks 60:50. Album 2013 11 Songs. Tango Suite: Tango No. Moraru Traffic Strings Tango Finesse 2013 SonArt Records Released on: 2013-03-05 Ensemble: Tra. Provided to YouTube by NAXOS of America Escolasu arr. SonArt Records. 24 May 2019 . For the beginning of this weekend I will propose a piece that will bring you a relaxing . Download this music at: TRAFFIC Strings. Milonga del angel - Astor Piazzolla. PIAZZOLLA Classic Argentinian Tangos. Tango Extremo Tango Extremo. Traffic Strings Tango Finesse. Traffic Strings. Tango Finesse. Galeria okładek. ZamknijGaleria okładek. Traffic Strings Tango Golazo Astor Piazzolla - Продолжительность: 4:46 TRAFFIC STRINGS 2 827. Antonio Vivaldi - Summer Violin Concerto No. 2 - 101 Strings. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Traffic is the second studio album by the English rock band Traffic, released in 1968 on Island Records in the United Kingdom as ILPS 9081T stereo, and United Artists in the United States, as UAS 6676 stereo. The album peaked at number 9 in the UK albums chart and at number 17 on the Billboard 200. It was the last album recorded by the group before their initial breakup. Tango Aficionado. Play on STRINGS explore without fearless with a commitment to expanding the new flavor sonorities who reach and captivate the public in such way that. You must be logged in to see the company address and website. public contact. Great playing by Traffic Strings. This new and modern combination of timbres has the flavour of exotic South America and the warm ornamental tones and fiery rhythms of the seductive Argentinian tango the outcome is one of organic fusion and immense aural pleasure in which the sounds blend to create a new and exciting atmosphere. The group released two albums : Tango Finesse who include a bouquet of. Orchestral Easy Listening Tango. 101 Strings. Songs in album 101 Strings - The World's Most Famous Continental Tangos 1969. 101 Strings - El Choclo

Traffic Strings - Tango Finesse
Performer: Traffic Strings
Genre: Latin / Classic
Title: Tango Finesse
Country: Romania
Style: Tango
MP3 album: 2931 mb
FLAC album: 2535 mb
Source: CD
№ Cat: SonArt007
Label: SonArt Records