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Lou Reed - The RCA & Arista Album Collection


Tracklist


1 Sally Can't Dance
2Ride Into The Sun
3The Power Of Positive Drinking
4Wagon Wheel
5 Berlin
6Kill Your Sons
7The Kids
8The Original Wrapper
9 Street Hassle
10Spit It Out
11Home Of The Brave
12The Gun
13Walk And Talk It
14City Lights
15Rock And Roll Heart
16The Bells
17Standing On Ceremony
18Bottoming Out
19The Great Defender (Down At The Arcade)
20Fly Into The Sun
21Hangin’ ‘Round
22 Transformer
23Chooser And The Chosen One
24Claim To Fame
25Smiles
26Sad Song
27Gimmie Some Good Times
28Coney Island Baby
29Caroline Says I
30Average Guy
31Lady Day
32The Heroine
33Vicious Circle
34How Do You Think It Feels
35She’s My Best Friend
36What Becomes A Legend Most
37How Do You Speak to an Angel
38 New Sensations
39The Bed
40Disco Mystic
41Legendary Hearts
42Follow The Leader
43My Friend George
44I Love You
45Dirt
46 Rock And Roll Heart
47 Metal Machine Music, Pt. 3
48 Metal Machine Music, Pt. 4
49Billy
50Men Of Good Fortune
51Berlin
52You Wear It So Well
53 Live Take No Prisoners
54I Can't Stand It
55Ooohhh Baby
56Goodnight Ladies
57 Growing Up In Public
58Baby Face
59Love Is Here To Stay
60Intro / Sweet Jane
61Ladies Pay
62 Legendary Hearts
63The Last Shot
64I Remember You
65Turn Out The Light
66Ocean
67Growing Up In Public
68Senselessly Cruel
69New York Telephone Conversation
70Mistrial
71All Through The Night
72I’m So Free
73Vicious
74Wild Child
75Ride Sally Ride
76I Love You, Suzanne
77Endlessly Jealous
78 The Bells
79I Believe In Love
80N.Y. Stars
81Caroline Says II
82Think It Over
83Underneath The Bottle
84Keep Away
85Rooftop Garden
86Families
87 Metal Machine Music
88Real Good Time Together
89Banging On My Drum
90With You
91Street Hassle
92Heavenly Arms
93Rock ‘N’ Roll
94No Money Down
95Andy’s Chest
96Temporary Thing
97Ennui
98Heroin
99A Gift
100Outside
101My Old Man
102Women
103Wait
104Oh Jim
105Stupid Man
106Make Up Mind
107Going Down
108Satellite Of Love
109Charley’s Girl
110I’m Waiting For The Man
111Mama’s Got A Lover
112I Wanna Be Black
113Make Up
114Don’t Hurt A Woman
115 Metal Machine Music, Pt. 1
116Waltzing Matilda
117Leave Me Alone
118Slipaway
119 Coney Island Baby
120Animal Language
121A Sheltered Life
122Love Makes You Feel
123Lisa Says
124Pow Wow
125Pale Blue Eyes
126Shooting Star
127 The Blue Mask
128 Metal Machine Music, Pt. 2
129Kicks
130Tell It To Your Heart
131Perfect Day
132Teach The Gifted Children
133 Mistrial
134Doin’ The Things That We Want To
135Crazy Feeling
136Walk On The Wild Side
137Martial Law
138High In The City
139Don’t Talk to Me About Work
140 Lou Reed
141New Sensations
142My Red Joystick
143White Light / White Heat
144My House
145Sally Can’t Dance
146Turn To Me
147Video Violence
148 Rock N Roll Animal
149 Waves Of Fear
150The Day John Kennedy Died
151So Alone
152Looking For Love
153Betrayed
154Sweet Jane
155I Want To Boogie With Yo
156The Blue Mask
157Nobody’s Business

Credits


  • Acoustic GuitarLou Reed (tracks: 5-8)
  • Arranged ByAlan Macmillan (tracks: 3-1 to 3-10), Lou Reed (tracks: 1-1 to 1-10, 8-1 to 8-12)
  • Arranged By [Horn]Don Cherry (tracks: 12-4), Lou Reed (tracks: 12-1 to 12-3, 12-5 to 12-9), Marty Fogel (tracks: 12-1 to 12-9), Tom Malone (tracks: 16-1 to 16-10)
  • Arranged By [Horns]Weis (tracks: 5-1 to 5-8), Lew Soloff (tracks: 5-1 to 5-8), Reed (tracks: 5-1 to 5-8), Fonfara (tracks: 5-1 to 5-8), John (tracks: 5-1 to 5-8), Katz (tracks: 5-1 to 5-8)
  • Arranged By [Song Arrangements]David Bowie (tracks: 2-1 to 2-11), Lou Reed (tracks: 2-1 to 2-11), Mick Ronson (tracks: 2-1 to 2-11)
  • Arranged By [String And Bass Arrangements]Mick Ronson (tracks: 2-1 to 2-11)
  • Arranged By [String Arrangement]Aram Schefrin
  • Arranged By [Vocal Arranging], Acoustic Guitar, SynthesizerGene Martrynec (tracks: 3-9)
  • Arranged By, Mellotron, PianoBob Ezrin (tracks: 3-1 to 3-10)
  • Arranged By, Performer [Played], TubaHerbie Flowers (tracks: 2-11)
  • Art DirectionDonn Davenport (tracks: 10-1 to 11-4)
  • Art Direction ["Rock N Roll Animal"]Acy R. Lehman
  • Art Direction ["Sally Can't Dance"]Acy Lehman
  • Art Direction ["The Blue Mask"]J. J. Stelmach
  • Art Direction ["Transformer], Design ["Transformer]Ernest Thornmahlen
  • Art Direction, DesignFrank Harkins
  • Backing VocalsChristine Wiltshire (tracks: 9-1 to 9-8), Connie Harvey (tracks: 16-1 to 16-10), David Bowie (tracks: 2-1 to 2-11), Eric Troyer (tracks: 16-1 to 16-10), Fernando Saunders (tracks: 16-1 to 16-10), Garland Jeffreys (tracks: 8-4), Genya Ravan (tracks: 9-1 to 9-8), Godfrey Diamond (tracks: 7-1 to 7-8), Jim Carroll (tracks: 7-1 to 17-10), Joanne Vent (tracks: 5-1 to 5-8), Jocelyn Brown (tracks: 16-1 to 16-10), Lou Reed (tracks: 7-1 to 8-3, 8-5 to 8-12), Michael Fonfara (tracks: 5-1 to 5-8), Michael Wendroff (tracks: 5-1 to 5-8, 7-1 to 7-8), Mick Ronson (tracks: 2-1 to 2-11), Rory Dodd (tracks: 16-1 to 16-10fgtì'), Rubén Blades (tracks: 7-1 to 17-10), Stuart Heinrich (tracks: 9-7), The Thunder Thighs
  • Backing Vocals, Bass, Bass Guitar [Synthesizer]Ellard Boles (tracks: 12-1 to 12-9)
  • Backing Vocals, Electric GuitarDick Wagner (tracks: 3-1 to 3-10)
  • Backing Vocals, Electric Piano [Fender Rhodes], Electric Piano [Yamaha], Synthesizer [Oberheim], Keyboards [Mini-Korg Poly-Ensemble]Michael Fonfara (tracks: 12-1 to 12-9)
  • Baritone SaxophoneRonnie Ross (tracks: 2-11)
  • BassBruce Yaw (tracks: 8-1 to 8-12), Doug Yule (tracks: 5-8), Fernando Saunders (tracks: 15-1 to 15-11), Gene Martrynec (tracks: 3-2), Jack Bruce (tracks: 3-2), Prakash John (tracks: 4-1 to 5-8), Tony Levin (tracks: 3-8)
  • Bass [Lead]Steve Friedman (tracks: 9-7)
  • Bass GuitarBrian Odgers (tracks: 1-1 to 1-10), Klaus Voormann (tracks: 2-1 to 2-11), Les Hurdle (tracks: 1-1 to 1-10)
  • Bass Guitar, Contrabass [String Bass]Herbie Flowers (tracks: 2-1 to 2-11)
  • Bass SaxophoneJon Pierson (tracks: 3-1 to 3-10)
  • Bass, Backing VocalsEllard Boles (tracks: 13-1 to 13-11), Fernando Saunders (tracks: 14-1 to 14-10)
  • Bass, Rhythm Guitar, Drum [Programming], Backing VocalsFernando Saunders (tracks: 7-1 to 17-10)
  • Bass, VocalsEllard "Moose" Boles (tracks: 10-1 to 11-4)
  • ChoirBob Ezrin (tracks: 3-1 to 3-10), Dennis Ferrante (tracks: 3-1 to 3-10), Dick Wagner (tracks: 3-1 to 3-10), Elizabeth March (tracks: 3-1 to 3-10), Lou Reed (tracks: 3-1 to 3-10), Steve Hyden (tracks: 3-1 to 3-10)
  • Concept By ["Berlin" Album Concept], Design ["Berlin"]Pacific Ear & Eye
  • Consultant [Archival Consultant]Hal Willner, Jim Cass
  • Cover ["Legendary Hearts" Cover Concept], Cover ["The Blue Mask" Cover Design], Cover ["Mistrial" Cover Design]Sylvia Reed
  • Cover ["Lou Reed"]Tom Adams
  • Cover ["Metal Machine Music]Acy Lehman, Lou Reed
  • Cover ["Rock N Roll Animal" Photo]Dalrymple
  • Cover ["Sally Can't Dance" Cover Art By]David Byrd
  • Cover ["Sally Can't Dance" Cover Concept By]Dennis Katz
  • Design ["Growing Up In Public]Howard Fritzson
  • Design ["Live Take No Prisoners"]Dennis Weeden, Phenographix Inc.
  • Design ["The Bells"], Art Direction ["The Bells"]Donn Davenport, Howard Fritzson
  • DrumsAynsley Dunbar, B.J. Wilson (tracks: 3-2, 3-8), Barry Desouza (tracks: 2-1 to 2-11), Doane Perry (tracks: 14-1 to 14-10), Fred Maher (tracks: 15-1 to 16-10), J.T. Lewis (tracks: 7-1 to 17-10), John Halzey (tracks: 2-1 to 2-11), Michael Suchorsky (tracks: 7-1 to 9-8, 10-1 to 11-4, 13-1 to 13-11), Pentti "Whitey" Glan (tracks: 4-1 to 4-5), Ritchie Dharma (tracks: 2-1 to 2-11, 5-5), Whitey Glan (tracks: 5-1 to 5-8)
  • Edited By [Digital Editing]Scott Hull
  • Electric Bass, Acoustic BassBruce Yaw (tracks: 7-1 to 7-8)
  • Electric Bass, Contrabass [String Bass], Rhythm Guitar [Joystick/George]Fernando Saunders
  • Electric GuitarSteve Howe (tracks: 1-1 to 1-10), Steve Hunter (tracks: 3-1 to 3-10)
  • Electric Guitar, Acoustic GuitarPaul Keogh (tracks: 1-1 to 1-10)
  • Electric Guitar, Acoustic Guitar, PianoCaleb Quaye (tracks: 1-1 to 1-10)
  • Electric Piano [Fender Rhodes]Marty Fogel (tracks: 12-9)
  • Electric Piano [Yamaha]Michael Fonfara (tracks: 10-1 to 11-4)
  • EngineerCorky Stasiak (tracks: 13-1 to 13-11), Corky "Stace" Stasiak (tracks: 8-1 to 8-12), 7-1 to 7-8, Gus Mossler (tracks: 4-1 to 4-5), John Jansen (tracks: 16-1 to 16-10), Mike Bobak (tracks: 1-1 to 1-10), René Tinner (tracks: 12-1 to 12-9), Rod O'Brien (tracks: 9-1 to 9-8), Sean Fullan (tracks: 14-1 to 14-10)
  • Engineer [Additional Recording]Bruce Lampcov (tracks: 7-1 to 17-10)
  • Engineer [Assistant at Atlantic Studios]Dan Nash (tracks: 16-1 to 16-10)
  • Engineer [Assistant at Skyline Studios]Roger Moutenot (tracks: 16-1 to 16-10)
  • Engineer [Assistant Delta Studios]René Tinner (tracks: 10-1 to 11-4)
  • Engineer [Assistant]Gray Russell (tracks: 9-1 to 9-8), Gregg Caruso (tracks: 9-1 to 9-8), Jay Krugman (tracks: 8-1 to 8-12), Michael Christopher (tracks: 7-1 to 17-10), Steve Catania (tracks: 13-1 to 13-11), Anthony George (tracks: 13-1 to 13-11)
  • Engineer [Associate]Jim Crotti (tracks: 15-1 to 15-11)
  • Engineer [Botton Line Audience]Gregg Caruso (tracks: 10-1 to 11-4), Jay W. Krugman (tracks: 10-1 to 11-4), Julie Last (tracks: 10-1 to 11-4)
  • Engineer [Delta Studios]Manfred Schunke (tracks: 9-1 to 11-4)
  • Engineer [Dierks Mobile Studio]Heiner Friesz (tracks: 9-1 to 9-8)
  • Engineer [Recording]Dave Greenberg (tracks: 7-1 to 17-10), Mike Stone (tracks: 5-1 to 5-8)
  • Executive-ProducerMichael Fonfara (tracks: 12-1 to 12-9)
  • Featuring ["Berlin"]Gary Linden, Mary Flynn, Michael Moore
  • GuitarBob Kulick (tracks: 7-1 to 7-8), Chuck Hammer (tracks: 13-1 to 13-11), Dick Wagner (tracks: 4-1 to 4-5), Lou Reed (tracks: 2-1 to 2-11), Mick Ronson (tracks: 2-1 to 2-11), Robert Quine (tracks: 14-1 to 14-11), Steve Hunter (tracks: 4-1 to 4-5), Stuart Heinrich (tracks: 9-3)
  • Guitar, Backing VocalsStuart Heinrich (tracks: 13-1 to 13-11)
  • Guitar, Bass, Piano, VocalsLou Reed (tracks: 9-1 to 9-8)
  • Guitar, KeyboardsMichael Fonfara (tracks: 13-1 to 13-11)
  • Guitar, Piano, VocalsLou Reed (tracks: 7-1 to 7-8)
  • Guitar, TambourineDanny Weis (tracks: 5-1 to 5-8)
  • Guitar, VocalsStuart Heinrich (tracks: 10-1 to 11-4)
  • HarmonicaSteve Katz (tracks: 5-1 to 5-8)
  • Harmony VocalsHelene Francois, Kay Garner
  • HornAlan Rubin (tracks: 5-1 to 5-8), Alex Foster (tracks: 5-1 to 5-8), David Taylor (tracks: 5-1 to 5-8), Jon Faddis (tracks: 5-1 to 5-8), Lou Marini (tracks: 5-1 to 5-8), Trevor Koehler (tracks: 5-1 to 5-8)
  • HornsJon Faddis (tracks: 16-1 to 16-10), Michael Brecker (tracks: 16-1 to 16-10), Randy Brecker (tracks: 16-1 to 16-10), Tom Malone (tracks: 16-1 to 16-10)
  • Illustration ["Live Take No Prisoners" Cover]Brent Bailer
  • Illustration ["Sally Can't Dance" Back Cover]René De La Bush
  • KeyboardsMichael Fonfara (tracks: 5-1 to 5-8), Ray Colcord (tracks: 4-1 to 4-5)
  • Liner NotesHal Willner
  • Mastered ByGeorge Semkiw (tracks: 5-1 to 5-8), Greg Calbi (tracks: 13-1 to 14-10, 15-1 to 16-10), Joe Brescio (tracks: 8-1 to 8-12), José Rodriguez (tracks: 7-1 to 7-8), Lou Reed (tracks: 10-1 to 12-9), Manfred Schunke (tracks: 10-1 to 11-4), Scott Hull (tracks: 6-1 to 6-4), Ted Jensen (tracks: 9-1 to 12-9), Tony Bridge (tracks: 8-1 to 8-12), Vlado Meller
  • Mastered By [Direct Metal Mastering]Bob Ludwig (tracks: 7-1 to 17-10)
  • Mastered By [Tape Mastering By]Arun Chakraverty (tracks: 2-1 to 2-11)
  • MellotronMichael Fonfara (tracks: 5-6)
  • Mixed ByCorky Stasiak (tracks: 13-1 to 13-11), Corky "Stace" Stasiak (tracks: 8-1 to 8-12), David Bowie (tracks: 2-1 to 2-11), Godfrey Diamond (tracks: 7-1 to 7-8), Jay Krugman (tracks: 8-1 to 8-12), Ken Scott (tracks: 2-1 to 2-11), Lou Reed (tracks: 2-1 to 2-11, 7-1 to 9-8, 12-1 to 13-11), Manfred Schunke (tracks: 12-1 to 12-9), Michael Fonfara (tracks: 13-1 to 13-11), Michael Wendroff (tracks: 7-1 to 7-8), Mick Ronson (tracks: 2-1 to 2-11), Mike Stone (tracks: 2-1 to 2-11), René Tinner (tracks: 12-1 to 12-9), Rod O'Brien (tracks: 9-1 to 9-8)
  • Mixed By [Botton Line Audience]Steve Savageau (tracks: 10-1 to 11-4)
  • Mixed By [Delta Studios]Ellard "Moose" Boles (tracks: 10-1 to 11-4), Lou Reed (tracks: 10-1 to 11-4), Manfred Schunke (tracks: 10-1 to 11-4), Michael Fonfara (tracks: 10-1 to 11-4)
  • Mixed By [Digitally]Bruce Lampcov (tracks: 7-1 to 17-10)
  • Organ, HarmoniumSteve Winwood (tracks: 3-1 to 3-10)
  • Other [Equipment] – Frank Campbell (tracks: 7-1 to 17-10)
  • Other [Guitars] – John Suhr
  • Other [Special Thanks To] – Bob Ludwig (tracks: 6-1 to 6-4)
  • Other [Strings By] – D'Addario (tracks: 7-1 to 17-10)
  • Painting ["Legendary Hearts" Hand Coloring], Design ["Legendary Hearts" Styling]Liz Lauman
  • Painting ["The Bells" Hand Tinting]Fred Marcellino
  • Painting [["New Sensations" Hand Coloring]Liz Lauman
  • PercussionClem Cattini, Michael Suchorsky (tracks: 12-1 to 12-9)
  • Percussion, Drum [Programming]Sammy Merendino (tracks: 7-1 to 17-10)
  • Photography By ["Berlin"]La Legion, Saint-Jivago Desanges
  • Photography By ["Legendary Hearts"], Art Direction ["Legendary Hearts"]Waring Abbott
  • Photography By ["Lou Reed" Back Liner Photography]Ronn Campisi
  • Photography By ["Mistrial"]Waring Abbott
  • Photography By ["New Sensations"], Art Direction ["New Sensations"]Waring Abbott
  • Photography By ["Sally Can't Dance" Back Cover Illustration From A]Lou Reed
  • Photography By ["The Bells"]Garry Gross
  • Photography By ["Transformer" Black And White Photographs], Photography By ["Sally Can't Dance" Front Cover Illustration From A], Photography By ["Growing Up In Public], Design ["Coney Island Baby"], Photography By ["Coney Island Baby"], Design ["Rock and Roll Heart" Cover Design], Photography By ["Rock And Roll Heart" Photograph]Mick Rock
  • Photography By ["Transformer" Color Photographs]Karl Stoecker
  • PianoAllan Macmillan (tracks: 3-1), Blue Weaver (tracks: 3-3), Michael Fonfara (tracks: 9-4, 9-6), Rick Wakeman (tracks: 1-1 to 1-10)
  • Piano, Clavinet, Organ, Synthesizer [ARP]Michael Fonfara (tracks: 8-1 to 8-12)
  • Piano, RecorderMick Ronson (tracks: 2-11)
  • Piano, Synthesizer, AccordionPeter Wood (tracks: 16-1 to 16-10)
  • ProducerBob Ezrin (tracks: 3-1 to 3-10), David Bowie (tracks: 2-1 to 2-11), Fernando Saunders (tracks: 17-1 to 17-10), Godfrey Diamond (tracks: 7-1 to 7-8), John Jansen (tracks: 16-1 to 16-10), Lou Reed (tracks: 1-1 to 1-10, 4-1 to 17-10), Michael Fonfara (tracks: 13-1 to 13-11), Mick Ronson (tracks: 2-1 to 2-11), Richard Robinson (tracks: 1-1 to 1-10, 9-1 to 9-8), Sean Fullan (tracks: 14-1 to 14-10), Steve Katz (tracks: 4-1 to 5-8)
  • Producer [Box Set]Hal Willner, Lou Reed, Rob Santos
  • Producer [Production Assistance]Bruce Somerfeld (tracks: 4-1 to 4-5), Ralph Moss (tracks: 4-1 to 4-5)
  • Product Manager [Product Director]Tom Burleigh
  • Product Manager [Project Director]Mandy Eidgah
  • Recorded ByRecord Plant Mobile (tracks: 10-1 to 11-4)
  • Recorded By [Basic Tracks]Peter Flanagan (tracks: 3-1 to 3-10), Robin Black (tracks: 3-1 to 3-10)
  • Recorded By [Overdubbing By]Danny Turbeville (tracks: 3-1 to 3-10), Dennis Ferrante (tracks: 3-1 to 3-10), Richard Kewzey (tracks: 3-1 to 3-10), Ed Sprigg (tracks: 3-1 to 3-10), Greg Calbi (tracks: 3-1 to 3-10), Jay Messina (tracks: 3-1 to 3-10), Jim Frank (tracks: 3-1 to 3-10), Jim Reeves (tracks: 3-1 to 3-10), Joe Lopes (tracks: 3-1 to 3-10), Pat Martin (tracks: 3-1 to 3-10), Shelley Yakus (tracks: 3-1 to 3-10)
  • Recorded By [Remote Recording]Frank Hubach
  • Recorded By, EngineerCorky Stasiak (tracks: 15-1 to 15-11)
  • Recorder [Recordist]Dave Wittman (tracks: 5-1 to 5-8)
  • RemixRalph Moss (tracks: 5-1 to 5-8)
  • Research [Archival Research and Associate Director - Lou Reed Archive]Jason Stern
  • Research [Archive Director - Lou Reed Archive]Don Fleming
  • Rhythm GuitarEddie Martinez (tracks: 7-1 to 17-10)
  • SaxophonePaul Fleisher (tracks: 5-8)
  • Saxophone [Amplified]Marty Fogle (tracks: 9-1 to 9-8)
  • Saxophone [Electric]Marty Fogel (tracks: 10-1 to 11-4)
  • Saxophone [Sax]Marty Fogel (tracks: 8-1 to 8-12)
  • Soprano Saxophone, Tenor Saxophone, OcarinaMarty Fogel (tracks: 12-1 to 12-9)
  • Supervised ByLou Reed
  • Supervised By [Binaural Recording]Manfred Schunke (tracks: 10-1 to 11-4)
  • SynthesizerLou Reed (tracks: 12-8)
  • Tape [Operator]Joe Lopes (tracks: 4-1 to 4-5)
  • Tenor SaxophoneMichael Brecker (tracks: 3-1 to 3-10), Rick Bell (tracks: 7-1 to 17-10)
  • TrumpetRandy Brecker (tracks: 3-1 to 3-10)
  • Trumpet, Guitar [African Hunting Guitar]Don Cherry (tracks: 12-1 to 12-9)
  • Twelve-String Guitar [Fender Electric]Ellard Boles (tracks: 12-8)
  • Typography ["Berlin" Calligraphy]Bill Garland
  • Typography ["Coney Island Baby" Type Design]Harris, Ridgeway
  • Typography ["Rock And Roll Heart" Type Design], Art Direction ["Rock And Roll Heart"]Julie Harris , Steve Ridgeway
  • Violin [Electric]L. Shankar (tracks: 16-1 to 16-10)
  • VocalsChrissy Faith (tracks: 10-1 to 11-4), Lou Reed (tracks: 4-1 to 5-8)
  • Vocals, Acoustic GuitarLou Reed (tracks: 3-1 to 3-10)
  • Vocals, Backing Vocals, Electric Guitar, Guitar Synthesizer, Bass GuitarLou Reed (tracks: 12-1 to 12-9)
  • Vocals, GuitarLou Reed (tracks: 1-1 to 1-10, 13-1 to 15-11)
  • Vocals, Guitar [All Guitars], PianoLou Reed (tracks: 8-1 to 8-12)
  • Vocals, Guitar, Guitar Synthesizer [Roland]Lou Reed (tracks: 10-1 to 11-4)
  • Vocals, Lead Guitar, Rhythm GuitarLou Reed (tracks: 16-1 to 16-10)
  • Vocals, Lead Guitar, Rhythm Guitar, Guitar [Power]Lou Reed (tracks: 7-1 to 17-10)
  • Vocals, TambourineAngela Howell (tracks: 10-1 to 11-4)
  • Written-ByDon Cherry (tracks: 12-7), Ellard Boles (tracks: 12-2, 12-8), Lou Reed (tracks: 1-1 to 17-10), Marty Fogel (tracks: 12-2, 12-9), Michael Fonfara (tracks: 12-2, 12-3, 13-1 to 13-11), Michael Suchorsky (tracks: 12-2), Nils Lofgren (tracks: 12-1, 12-4, 12-6), Steve Hunter (tracks: 4-1)

Notes


Box set includes poster, four prints and hard bound book. CD's in miniature replica sleeves. Memorabilia courtesy of Lou Reed Archive, Barbara (Fulks) Wilkinson, John Holmstrom, Sony Music Archives.

-"Lou Reed": recorded December, 1971 - January, 1972, Morgan Studios, London. Released April, 1972 as RCA Victor LSP-4701.
Pop #189 / chart debut: 6/24/1972.

-"Transformer": recorded August, 1972, Trident Studios, London. Released November 8, 1972 as RCA Victor AFL1-4807. Mixed at Trident Studios, London. Pop #29 / chart debut: 12/16/1972.

-"Berlin": basic tracks recorded Morgan Studios, London, overdubbing at CTS Studios, London by Richard Kewzey and at Record Plant Studios, New York by Greg Calbi, Dennis Ferrante, Jim Frank, Joe Lopes, Pat Martin, Jay Messina, Jim Reeves, Ed Sprigg, Danny Turbeville & Shelley Yakus. Mixed at The Record Plant. Produced for Nimbus 9 Productions Limited. Released July, 1973 as RCA Victor APL1-0207. Pop #98 / chart debut:10/20/1973.

-"Rock N Roll Animal": recorded live at Howard Stein's Academy of Music, NYC, December 21, 1973. Remote Recording: The Record Plant. Released February, 1974 as RCA Victor APL1-047. Produced for Anxiety Productions. Pop #45 / chart debut:3/2/1974.

-"Sally Can't Dance": recorded at Electric Lady, N.Y.C.. Mastered at RCA Studios, Toronto. Produced for Anxiety Productions Ltd. Released in August, 1974 as RCA Victor CPL1-0611. Pop #10 / chart debut: 10/5/1974.

-"Metal Machine Music": recorded 1974, Lou's Apartament. Mastered at Sterling Sound. Released in June, 1975 as RCA Victor CPL2-1101. Specifications: Sony 1/2 track, Uher 1/4 track, Pioneer 1/4 track, 5 piggyback Marshall Tube Amps in series, Arbiter distorter (Jimi's), Marantz Preamps, Marantz Amps, Altec Voice of America Monitor Speakers, Sennheiser Headphones, Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music, Rock Orientation, melodically disguised, i.e. drag, Avoidance of any type of atonality, Electro-Voice high filter microphones, Fender Tremelo Unit, Sunn Tremelo Unit, Ring Modulator/Octave Relay Jump, Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white, No Synthesizers, No Arp, No Instruments?, --10 db + 57 db, --20 hz--+30,000 hz, --12 hz--+28,000 hz, Distortion 0.02 bass and treble ceilings.
Combinations and permutations built upon constant harmonic Density Increase and Melodic Distractions.
Strict Stereo Separation: No panning, No phasing, No.

-"Coney Island Baby": recorded, mixed and mastered at Mediasound, New York, October 1975. Released in January, 1976 as RCA Victor APL1-0915. Pop #41 / chart debut: 2/7/1976.

-"Rock And Roll Heart": recorded and mixed at The Record Plant, New York. Mastered at The Cutting Room. Released in October, 1976 as Arista AL 4100. Pop #64 / chart debut: 11/13/1976.

-"Street Hassle": live recording Munich, Wiesbaden, Ludwigshaflen, West Germany 1978. Studio recording: The Record Plant, New York City. Mixed at The Record Plant, New York City. Mastered at Sterling Sound. Released in February, 1978 as Arista AB 4169. Pop #89 / chart debut: 4/8/1978.

."Live Take No Prisoners": recorded live at The Botton Line, New York Cty, May 17-21, 1978. Mixed at Delta Studios, Wilster, Germany. Mastered at Sterling Sound, New York, NY. Produced for Sister Ray Enterprises, Ltd. Released November, 1978 as Arista AL 8502.

-"The Bells": recorded & mixed at Delta Studios, Wilster, West Germany. Mastered at Sterling Sound. Released in April, 1979 as Arista AB 4229. Pop #130 / chart debut: 6/2/1979.

-"Growing Up In Public": recorded at AIR Studios, Montserrat. Mixed at Electric Lady Studios, New York City. Mastered at Sterling Sound, New York City. Produced for Sister Ray Enterprises, Inc.. Released in April, 1980 as Arista AL 9522. Pop #158 / chart debut: 5/10/1980.

-"The Blue Mask": recorded at RCA Studios, New York, Oct. 1981. Mastered at Sterling Sound, New York. Released in January, 1982 as RCA AFK1-4211. This album contains no instrumental overdubs with the exception of my lead guitar in "My House". All Vocals are overdubbed with the exception of "The Heroine". My guitar is the one on the right stereo channel and was built by the Guitarman. Pop #169 / chart debut: 2/27/1982.

-"Legendary Hearts": recorded and engineered for Audio Airlines, Inc. at RCA Studios, New York. Mastered at Sterling Sound, New York. Produced for Sister Ray Enterprises, Inc.. Released in March 1983 as RCA AFL1-4568. Pop #159 / chart debut: 4/9/1983.

-"New Sensation": recorded Skyline Studios, New York City. Mixed at Atlantic Studios. Mastered at Sterling Sounds, New York City. Produced for Sister Ray Enterprises, Inc.. Proton P600M Monitor courtesy of Proton Inc., 737 W. Artesia Blvd., Compton, CA 90220. Released in April, 1984 as RCA AFL1-4998. Pop #56 / chart debut: 6/16/1984.

"Mistrial": recorded at Power Station, New York in 1986. Released in April, 1986 as RCA AFL1-7190. Pop #47 / chart debut: 5/24/1986.

On CDs: © 1972, 2016 RCA Records, a division of Sony Music Entertainment. ℗ 1972 RCA Records, a division of Sony Music Entertainment.
On insert: This compilation ℗ & © Sony Music Entertainment.

Barcodes


  • Barcode: 888430380325
  • Mastering SID Code (Discs 1-17): IFPI L555
  • Mould SID Code (Disc 1 & 8): IFPI 94V3
  • Mould SID Code (Disc 2): IFPI 94W8
  • Mould SID Code (Disc 3 & 4): IFPI 943R
  • Mould SID Code (Disc 5): IFPI 947T
  • Mould SID Code (Disc 6 & 13): IFPI 941R
  • Mould SID Code (Disc 7, 9 &10): IFPI 944T
  • Mould SID Code: IFPI 948T
  • Mould SID Code (Disc 12): IFPI 942R
  • Mould SID Code (Disc 14): IFPI 94W7
  • Mould SID Code (Disc 16): IFPI 947R
  • Mould SID Code (Disc 17): IFPI 941Q
  • Matrix / Runout (Disc 1): [Sony DADC logo] A0102677914 0101 15 A00
  • Matrix / Runout (Disc 2): [Sony DADC logo] A0102678333-0101 15 A00
  • Matrix / Runout (Disc 3): [Sony DADC logo] A0102678336-0101 15 A01
  • Matrix / Runout (Disc 4): [Sony DADC logo] A0102677947 0101 15 A00
  • Matrix / Runout (Disc 5): [Sony DADC logo] A0102678343 0101 15 A00
  • Matrix / Runout (Disc 6): [Sony DADC logo] A0102678362 0101 15 A00
  • Matrix / Runout (Disc 7): [Sony DADC logo] A0102678352 0101 15 A00
  • Matrix / Runout (Disc 8): [Sony DADC logo] A0102678374-0101 15 A00
  • Matrix / Runout (Disc 9): [Sony DADC logo] A0102678404 0102 15 A01
  • Matrix / Runout (Disc 10): [Sony DADC logo] A0102678414 0202 15 A00
  • Matrix / Runout (Disc 11): [Sony DADC logo] A0102678381 0101 25 A00
  • Matrix / Runout (Disc 12): [Sony DADC logo] A0102678448 0101 15 A00
  • Matrix / Runout (Disc 13): [Sony DADC logo] A0102678457 0101 15 A00
  • Matrix / Runout (Disc 14): [Sony DADC logo] A0102678461 0101 15 A00
  • Matrix / Runout (Disc 15): [Sony DADC logo] A0102678465-0101 15 A00
  • Matrix / Runout (Disc 16): [Sony DADC logo] A0102678469 0101 15 A00
  • Matrix / Runout (Disc 17): [Sony DADC logo] A0102678472 0101 15 A01
  • Rights Society: BIEM/GEMA
  • Label Code: LC00316
  • Other (Disc 1): 88843038032-1
  • Other (Disc 2): 88843038032-2
  • Other (Disc 3): 88843038032-3
  • Other (Disc 4): 88843038032-4
  • Other (Disc 5): 88843038032-5
  • Other (Disc 6): 88843038032-6
  • Other (Disc 7): 88843038032-7
  • Other (Disc 8): 88843038032-8
  • Other (Disc 9): 88843038032-9
  • Other (Disc 10): 88843038032-10
  • Other (Disc 11): 88843038032-11
  • Other (Disc 12): 88843038032-12
  • Other (Disc 13): 88843038032-13
  • Other (Disc 14): 88843038032-14
  • Other (Disc 15): 88843038032-15
  • Other (Disc 16): 88843038032-16
  • Other (Disc 17): 88843038032-17

Companies


  • Record Company – RCA
  • Record Company – Arista
  • Phonographic Copyright (p) – Sony Music Entertainment
  • Phonographic Copyright (p) – RCA Records
  • Copyright (c) – Sony Music Entertainment
  • Copyright (c) – RCA Records
  • Distributed By – Sony Music Entertainment
  • Produced For – Nimbus 9 Productions Limited
  • Produced For – Anxiety Productions Ltd.
  • Produced For – Sister Ray Enterprises Inc
  • Produced For – Fernando's Hide-Away Music, Ltd.
  • Recorded At – Morgan Studios
  • Recorded At – Trident Studios
  • Recorded At – Academy Of Music
  • Recorded At – Electric Lady Studios
  • Recorded At – Mediasound
  • Recorded At – Record Plant, N.Y.C.
  • Recorded At – The Bottom Line
  • Recorded At – Delta Studio, Wilster
  • Recorded At – AIR Studios, Montserrat
  • Recorded At – RCA Studios, New York
  • Recorded At – Skyline Studios
  • Recorded At – Power Station
  • Engineered At – Dierks Studio Mobile Trucks
  • Engineered At – Delta Studio, Wilster
  • Engineered At – RCA Studios, New York
  • Overdubbed At – CTS Studios
  • Overdubbed At – Record Plant, N.Y.C.
  • Mixed At – Trident Studios
  • Mixed At – Record Plant, N.Y.C.
  • Mixed At – Mediasound
  • Mixed At – Delta Studio, Wilster
  • Mixed At – Electric Lady Studios
  • Mixed At – Atlantic Studios
  • Mastered At – Masterdisk
  • Mastered At – RCA Studios, Toronto
  • Mastered At – Sterling Sound
  • Mastered At – Mediasound
  • Mastered At – Master Cutting Room
  • Pressed By – Sony DADC – A0102677914 0101
  • Pressed By – Sony DADC – A0102678333-0101
  • Pressed By – Sony DADC – A0102678336-0101
  • Pressed By – Sony DADC – A0102677947 0101
  • Pressed By – Sony DADC – A0102678343 0101
  • Pressed By – Sony DADC – A0102678362 0101
  • Pressed By – Sony DADC – A0102678352 0101
  • Pressed By – Sony DADC – A0102678374-0101
  • Pressed By – Sony DADC – A0102678404 0102
  • Pressed By – Sony DADC – A0102678414 0202
  • Pressed By – Sony DADC – A0102678381 0101
  • Pressed By – Sony DADC – A0102678448 0101
  • Pressed By – Sony DADC – A0102678457 0101
  • Pressed By – Sony DADC – A0102678461 0101
  • Pressed By – Sony DADC – A0102678465-0101
  • Pressed By – Sony DADC – A0102678469 0101
  • Pressed By – Sony DADC – A0102678472 0101

Info


Альбом 2016 Песен: 148. The RCA & Arista Album Co. has been added to your Cart. Add gift options. If you want to know what happened during those 14 years to make such a difference, the answer can be found in The RCA & Arista Album Collection, a 17-disc box set that brings together nearly all of Reed's recorded work from this period. This set includes seven albums Reed cut for RCA Records from 1972 to 1975 Lou Reed, Transformer, Berlin, Rock n' Roll Animal, Sally Can't Dance, Metal Machine Music, and Coney Island Baby, five he recorded while signed to Arista from 1976 to 1980 Rock and Roll Heart, Street Hassle, Live: Take No Prisoners, The Bells, Growing Up in Public. Listen free to Lou Reed The RCA & Arista Album Collection I Can't Stand It, Going Down and more. 148 tracks . Play jigsaw puzzles for free Home. Lou Reed. The RCA & Arista Album Collection, 2016. The Definitive Collection is Arista's 1999 Lou Reed collection, complete with an appropriately decadent cover photo by Mick Rock from the mid-1970s. The Blue Mask. I Wanna Be Black. Looking for Love. Coney Island Baby. Shooting Star. Romeo Had Juliette. I Want to Boogie With You. Set the Twilight Reeling. Street Hassle: A. Waltzing Matilda, B. Street Hassle, C. Vicious Circle. Walk on the Wild Side. Temporary Thing. Laurie Anderson, Lou Reeds wife and partner for twenty-one years said Lou put his heart into remastering these records. They are not smoothed out. Sometimes remastering revealed their details and roughness in the most exciting ways. They leap out at you with their original energy. I also love the rare images and the great selection of Lous words about his music in this collection. Lou was a superb analyst and sharp critic and the interview excerpts bring back his crazy sense of humour, his generosity and his big view of the world and the meaning of music. Anyone who has loved Lous music w. Lou Reed liked to tell people that his recorded output was not unlike a book. Every record a chapter Lou Reed liked to tell people that his recorded output was not unlike a book. Every record a chapter Listen to it in order, theres my great American novel, he once remarked: a quote reprinted in the book that accompanies The RCA and Arista Album Collection, a box set compiling virtually everything he made between 1972 and 1987. Its a lovely idea, not least because it suggests that Reed had a plan all along: a carefully thought-out plot outline that he adhered to throughout the 15 years this collection covers and beyond. It also goes without saying that he didnt have anything of the sort

Lou Reed - The RCA & Arista Album Collection
Performer: Lou Reed
Genre: Rock / Pop
Title: The RCA & Arista Album Collection
Country: Europe
Released: 07 Oct 2016
Style: Pop Rock, New Wave, Glam, Art Rock, Noise, Avantgarde, Industrial
MP3 album: 1808 mb
FLAC album: 1969 mb
Source: 17 × CD, Album, Remastered Box Set, Compilation
№ Cat: 88843038032
Label: Sony Music, Legacy

Milleynti
"There are also two live albums omitted from the new box set, because Reed didn’t consider them part of his catalog proper: the 1984 import Live in Italy, a ferocious outing with the late guitarist Robert Quine; and the 1975 label cash-grab Lou Reed Live." - Rolling Stone
Asher
Also is missing another superb live album: "Live in Italy"
Downloaded
It's missing "Lou Reed live" what a stupid omission :-( https://www.discogs.com/Lou-Reed-Lou-Reed-Live/master/44323
anneli
Probably Lou couldn't as the rights were owned by RCA
salivan
if he really did not like it at all he could have prevented RCA to reissue it,instead it's been reprinted for decades, it doesn't (completely) make sense
Nalaylewe
that is because Lou Reed never was asked to release it, RCA released it without Lou's approval